I’m doing some sewing on request, and one of the garments is a full-length gown. Sounds simple enough, doesn’t it? But the details are causing me grief! I am not a pattern maker! I don’t know anything about where to even begin drafting something. You’ve all seen how I graft pieces from one pattern onto another to get something totally different (or a mish-mash) before, but this dress is really making me think. I mean pulling-my-hair-out think.
Let’s start with the simple stuff (for me). First, a boat neck. I eyeballed this one and just cut what I think is going to be a decent neckline and then trued it up. I’ve basted along the stitching line in the pic above. Second, the cuffs need to be close-fitting and 5 inches deep with a loop & button closure. Ok. I stole the cuff from Burda 12-2010-111, since I am incapable of drafting one from scratch. It’s going to work perfectly once I get the cuffs on the right way. *eye roll* And I just slashed and spread and shortened the sleeve on Vogue 7762 (below) to get the gathered cap and extra fullness to gather into the cuff.
I must confess for the dress itself I was stumped. Where to begin? I don’t know how to add pleats! And a circular insert at the waist! HELP! After agonizing over where to start I found this little image via the wonderful world of Google images (what the heck would we do without Google? How did we survive before?) I mulled it over for about 13 hours and decided I’d freehand draft the insert and then lay it over the front of Vogue 7762 and see what happened. I’ve only done the front with the insert and draping (below), although I may add it to the back as well, like the Max Mara dress on the left. My little idea turned out OK, I think. Laying the insert pattern over the pleats eliminated a lot of the draping in the Vogue design, so I may slash the muslin and add more, but I’ll see what’s wanted after the first fitting next week. As it stands, the back is a simple sheath with two shaping darts and a CB zipper. It may look nicer with the draping and insert continuing around to the back, but that means the zip will go through the insert. Hmmm…
So far, I’m feeling pretty
good relieved about my attempts to pull this out of (almost) nowhere. The last part that I’m still thinking about is the thigh-high slit. At this point I’ve just drawn a potential seam line that will extend into the slit, although I’m not sure it will look so good with all the other design stuff happening. I don’t really want to put the slit on the other side of the dress because the best way I can think of to face it properly is to have it extend out of a seam, and I don’t want a princess seam up the left side of the dress. The fashion fabric is a gorgeous drapey mid-weight poly crepe in dark navy, and I don’t think I should just do a slash-and-face-it sort of idea along the lines of a faced placket. The top of the slit is going to take a lot of stress and I’d hate for it to rip.
So, the first muslin of this gown is done, and it fits ol’ Judy horribly. But it just might work….