The lace tunic is finished.
The lace is quite substantial and the tunic has some weight to it. The silk charmeuse lining is wondrously comfortable, and makes this such a pleasure to wear.
The centre back pleat was a bit of a pain to manipulate so that it lays flat but adding a small flower appliqué helped tack it all down into place. There is a facing which I interfaced with silk organza, under stitched, and then ‘topstitched’ invisibly 5mm away from the neckline in order to keep it in place. I also discreetly secured the edges of the facing through all layers so that it wold behave as one layer.
My solution for the side seams was to use a true Hong Kong finish, using the silk underlining, and then stitching an appliqué on the interior of the hem to hide the bottom 4 cm of seam allowance.
Another close up of the hem and side seam finishing.
I’m pleased with how this turned out.
I have come to terms with my desire for couture construction, having a garment to wear within a reasonable amount of time (since I cannot commit full days to totally do a garment with hand sewing) and finishing that I will be happy to on and wear.
Exhibit A: the sleeve seams. I undid the bias binding on the sleeve seams, trimmed the bias silk down to 2.5 cm in width, and bound each allowance edge separately.
And because I disliked the way the seam allowances are visible at the hem of the bell sleeves, I chose to appliqué one of the larger flower motifs on the inside of the sleeve to cover the bottom part of the seam.
In the photo, the bottom sleeve is inside out; the top left sleeve is right side out, but you can see the wrong side peaking out with no seam allowance showing – just another flower. Yay!
I am much happier with this, and am contentedly constructing the rest of the garment along the same idea. Hopefully I’ll have a finished garment to show you by the end of the week.