The second UFO is now a wearable garment. It’s about 9C outside – hence the big mommy-sized sweater!Rosebuds in the buttons for the fly-away back and adjustable straps. Front strap embroidery – bullion rose and rosebuds; detached chain leaves and fly-stitch stems & calyx.
I also managed to quickly put together a new petticoat, since DD3’s outgrown the previous one. I used a RTW tank, cut it off at what I thought was waist length (it’s stretched a bit since it’s been hanging around waiting for a nice day for photographs) and attached a four-tiered peasant skirt. The bottom tier is about 6 yards in width. I used remnants from previous petticoats for this one, so the top two layers are different weights of Egyptian cotton shirting, and the two bottom layers are Swiss broderie anglais, which I originally purchased because of the fabulous edging for the last now-too-small petticoat. I finished the bottom with white satin ribbon. And the Lelli Kelly’s are too small this year – a big disappointment in this house!
I’ve finally decided to part with a winter coat I smocked for DD1 about 8 years ago. It’s another pattern from Australian Smocking & Embroidery Issue 66. It included a little purse, which I thought was a cute touch. The roses and leaves are made from strips of cashmere.
It was my first attempt to smock a heavier fabric by hand…. I mean actually marking the fabric and pleating it by hand, as it was too bulky to put through a pleater. What’s a pleater? A little hand-turned wonder that pleats the fabric for you, saving a lot of time, not to mention ensuring that the rows of pleats are precise.
But back to the coat. It’s a beautiful coat – a little heavy – but warm and there is so much wear left in it! Why keep it in my closet for someone 30 years down the line when I can always make another one – and would enjoy it, too? So I handed it down to a friend who has a daughter younger than all of mine. In a way I’m happy that it’s going to someone who will appreciate it, but on the other hand it makes me sad to part with it. This particular friend’s mom was a seamstress, trained in Italy, so I know she appreciates the work that goes into a garment like this. But it’s hard to part with something that has a lot of love and time put into the making of it.
Just last night DH managed to encourage me with an offhand comment about how art isn’t really worth anything until there’s someone willing to pay for it. In his defense, I see his (time = money) point, but it still is a hurtful and sad comment. Is what people create really so “worthless” if there isn’t a return on the investment, so to speak?
I know I would be very hesitant to fork over what this purse is actually worth in terms of material and labour (maybe $15?) if I saw it in a store, but is that because I know I could make it if I really wanted to have it? Because I’m not one of the “rich” that don’t think twice before paying ridiculous amounts of money for one-of-a-kind garments? Or because I don’t think it’s worth it or that it will be tossed after 3 days of use? Yet I love to spend my time to create an item like this! It’s enjoyable, I’m pleased with the tangible result of what I spent my time on, and it most definitely gives me a creative outlet…. a place to wind down and relax while I do something that I love!
I’ve been sewing up a Scottish National dress, or a lilt dress, for a good friend’s daughter. It’s due on Friday, and includes a separate petticoat. I’ve made several petticoats over the last few years to go under all the dresses that I’ve smocked for my daughters. Little girls smocked dresses just look that extra bit more special when they’re supported by a petticoat.
I usually go by the guidelines in Australian Smocking & Embroidery #50 for girls’ petticoats. They have 3 options: a petticoat with a lycra bodice, half petticoat, or a petticoat with a purchased singlet (tank top). In my experience with girls and their petticoats, the version attached to a tank top stays in place guaranteed, and since this one will be used for Scottish dancing competition, I thought it would be the best option. No one wants their petticoat sliding down around their knees in the middle of a dance!
I worked backwards for this petticoat, beginning with 6 metres of eyelet trim, and calculating down to determine the length of each tier. In other words, 6m for the bottom ruffle, 4.5 m for the 3rd ruffle, etc. Petticoats are simple to make. It just takes a lot of thread. This one is of the same poly-cotton broadcloth that the dress is made of.
And I finally finished the embroidery on a UFO, which has been languishing in my life for the last 18 months or so.I used to smock all my girls’ dresses when they were small. Some of the ones I bothered to photograph can be seen at my Tia Dia Needleworks Flickr site on the left. Some I sent to Haiti with my mom, who goes for about 6 months every year. But now that DD3 is 8 years old, the smocking just doesn’t seem stylishly appropriate somehow. I do miss it, though. I find it strangely calming after a stressful day of “mom taxi”. This particular dress was supposed to be for Easter a couple of years ago. It’s of white linen, and I have no idea whether DD3 will wear it, or it will go into storage for some other little person in the future. It’s supposed to have a peter pan collar and tulip shaped sleeves with embroidery, but I’m in doubt about both. I may make this into a sundress, or leave off the collar and bind the neckline. If it doesn’t have a peter pan collar, DD3 just might wear it next spring.
Well, I salvaged the tie dye knit from that dreadful concoction called Vogue 1250. You can see the original disaster in my previous post. I purchased the fabric to make another version of Donna Karan’s wrap dress from Vogue 1159, and, thanks to piecing the remains of the disaster and the little bit of yardages I’d not used, managed to sew it up after all.
So here’s my salute to the tie dye world. And I like it a million times better than that other dress. Outfit: Vogue 1159
Activities: My niece’s first communion and a small family get-together at my MIL’s afterwards.
Thoughts: This design is very comfortable to wear. I did change a few things from the first version during the construction, and fiddling afterwards while wearing it. I was still pulling threads and cutting away linings in the car on the way to the church!
It was a day full of me-made items. DD1 and DD3 decided to wear dresses made at home. Hannah’s dress was her summer project last year, and although she loves wearing it, she is not interested in sewing for herself. She’d rather be creative on a miniature scale. Here’s the Flickr set. And Isabella is wearing a sundress I smocked for Hannah about 5 years ago. I’ll add the details to Tia Dia Needleworkssoon, I hope. It’s a green & white gingham with hearts picture smocked on the front. There’s small ruffles around the arms and neckline, and a deeper one at the hemline that are accentuated with orange and pink spider web flowers.
And my first niece wore a sundress I’d made for her birthday last year. There’s a certain sense of fun and satisfaction to see garments one’s made being worn with pleasure and flattering the wearer. This little dress was made of batik, bound with Liberty of London and smocked in the front. I must say smocking the batik was awful. It’s not a dyed batik, but a printed one, and the printing put an almost impenetrable finish on the cotton, so the smocking could only be done in small doses. The original design was navy blue with white binding, which is very classic, but doesn’t suit the lively personality of my niece. Every birthday she requests a new dress, and this year she wants a “something made by Tia Dia” in purple!